Before I landed my dream job at Who What Wear nine years ago, I worked as a waitress at a fancy establishment in my hometown, a personal fact I contribute to the immediate kinship I feel with actress Ella Purnell upon speaking with her. To be fair, Purnell is not actually a waitress, though she does play one on the Starz series Sweetbitter, a role that allows us to bond for a full 10 minutes over the “mental” restaurant industry; the long hours, the romantic relationships that inevitably form, and of course, the drama. We LOVE the drama.
My phone call with Purnell takes place days after she wrapped a whirlwind NYC press trip (and this shoot!) for the second season of Sweetbitter, which premiered last Sunday. She is back in her hometown of London working on her next project, the corset drama Belgravia, which is set for 2020. It’s been nonstop for the actress, but despite the fact that it’s 10 p.m. her time and she is just getting home from a long day of filming, I’m greeted with a cheerful tone on the other end of the line. We dive straight into the important topics: fashion, career, and Sweetbitter and Tess, a character whose personal growth experiences on the show are coincidentally mirroring Purnell’s own. “It’s kind of funny how those things work out,” she tells me of the similarities between herself and her on-screen counterpart. This may be the year Tess happens to life, as Purnell puts it, but it’s also the year Purnell happens to life, revealing it’s been one full of intriguing career firsts. Oh, what a thrilling time to be the 22-year-old.
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Photoshoots > 2019 > Set 003 – Who What Wear
Sweetbitter season two! What can we expect from this next chapter of the series and from Tess?
I always like to think of it as season one, life happens to Tess. She is a completely blank slate, you know nothing about this character, and you meet her and learn with her. It’s kind of like an introduction to what is going to happen. Season two is where we really get into everything. So season one is life happens to Tess, and season two is Tess happens to life. We delve into all kinds of themes that transcend time and generations and really get to know all of the characters’ backgrounds and storylines and vulnerabilities. For Tess, it’s about power; it’s about finding her voice, and she goes from being curious about life to voracious about experiencing. She learns what she likes, what she wants, what she deserves, and she learns how to ask for it, which I think is a really important thing for anyone. There comes a time in everyone’s life where they have to decide who they want to be and what kind of person they want to be, but I think especially that is a really important thing for women, to stand up for yourself and say you know what, I do deserve that promotion, I do deserve that pay raise. It’s been really fun to actually experience that in my own life while playing it. It’s kind of funny how those things work out.
What about Tess as a character excites you?
I think what I was really concerned with back in season one when I first met Tess was about making her likable. I was quite stressed about this girl you know nothing about. How am I going to make her relatable to the audience? And [creator] Stephanie [Danler] blankly looked at me and said, “Why do you want to make her relatable?” and it kind of all clicked. That’s where the joy came in for me because you get to build on everything, every experience she has shapes her, and you get to live that with her because there is nothing really to her before she moves to New York. For season two, there is definitely no concern of making her likable, in fact, it’s the opposite. And that’s the thing, you are taught that you have to be nice, you have to be accommodating, we have to make ourselves smaller for other people to take up space. This time it’s about I don’t actually give a fuck about what you think of me. I don’t give a fuck about this. I’m standing up for myself, and the way you are treating me is not nice. It’s tough to do that, and she will learn from it and make mistakes, but it’s wonderful to play outside the stereotypical box of being a young girl.
What is the most interesting or surprising thing you’ve learned about the restaurant industry?
To be honest, everything. I kind of knew about the long hours and the community of working with everyone, but I didn’t know particularly about food and wine and the higher level of cuisine and posh restaurants. I suppose it was the experience of food. I think I underestimated that. It’s this whole kind of art form almost. I didn’t know anything about that, and I learned a lot of that through Stephanie, who is kind of like my Simone I guess. And I guess to appreciate eating not just because you are hungry, but as something you should enjoy and appreciate. I’m now that wanky person who swirls wine around and talks about flavors and complexities and notes and things like that. Most of the time I’m making it up, but I do a really good job of tricking everyone.
What is a dream role for you?
You know this year for me was all about firsts. I was a child actor and I had to do that awkward figuring out who you are thing, but also while working. So I took a bit of time off, made that transition from child to adult actor. I really wanted to push myself, I really wanted to try new things, and boy did I get what I wished for. I am doing a period drama with corsets and bonnets, and my next thing is a zombie movie with Zack Snyder, which is the complete opposite. It’s an action film, which I’ve never done and is pretty exciting. You know what I really fancy doing is a drama, maybe something in nature, like Into The Wild or something like that. Or something musical… something like A Star is Born, a biopic.
Can you name an actor whose choices in roles you admire?













